Tokyo 2020; Press release: Joint Statement on Spectator Capacities at the Olympic Games Tokyo 2020 (TOCOG)

Joint Statement on Spectator Capacities at the Olympic Games Tokyo 2020

Tokyo, 21 June 2021

Today, on 21 June, the five parties, namely the International Olympic Committee (IOC), the International Paralympic Committee (IPC), the Tokyo 2020 Organising Committee, the Tokyo Metropolitan Government (TMG) and the Government of Japan (GoJ), met to discuss spectator limits for the Olympic Games Tokyo 2020. The IOC and IPC were informed about and support the policies the three Japanese parties have decided on.

The main decisions are as follows:
• In light of the government’s restrictions on public events, the spectator limit for the Olympic Games will be set at “50 per cent of venue capacity, up to a maximum of 10,000 people” at all venues. (Students in the schools’ spectator programme and their supervisors will not be considered in these numbers, and will be treated separately as they are not spectators.)
• The current competition schedule remains unchanged. In principle, spectators will be admitted to events subject to the above limits.
• However, in the event that a state of emergency or other priority measures aimed at preventing infection are implemented at any time after 12 July 2021, restrictions on spectator numbers at the Games, including non-spectator competitions, will be based on the content of the state of emergency or other relevant measures in force at that time.
• In the event of any rapid change in infection status and in the capacity of the medical care system, a five- party meeting will be held promptly to consider further measures.
• The Japanese parties have formulated guidelines for spectators aimed at ensuring safe and secure environments. These stipulate that masks should be worn in venues at all times; speaking in a loud voice or shouting will be prohibited; congestion should be avoided by means of appropriate announcements; and visitors should leave venues in a staggered manner. Spectators will be requested to travel directly to venues and return home directly, and to take all necessary precautions when moving between prefectures.
• Given the COVID-19 situation, the Japanese parties intend to look into either cancelling or reducing the scale of any live sites and public viewing events to minimise the movement of people, review any other Games- related events, and establish new safe and secure ways of cheering and supporting the athletes.
• A framework will be implemented to keep monitoring the status of infections and medical care using expert advice.
• Consistent and unified messages aimed at ensuring safe and secure Games by the five parties will be delivered.
• The equivalent policies governing the Paralympic Games will be decided by 16 July 2021, a week before the opening of the Olympic Games.

In order to conduct safe and secure Games for the whole of Japan, there will be strong coordination and cooperation with local governments to ensure the above guidelines are followed.

The situation will be monitored in Japan and abroad, including the status of the different variants of the coronavirus, and all necessary action will be taken promptly. Vaccination of those involved with the Games will continue, and the vaccination status will be further updated.

There are 32 days to go until the Olympic Games. There are 64 days to go until the Paralympic Games. The five parties will continue to work together to ensure safe and secure Games for all.

Tokyo 2020; Design podium and uniforms Victory Ceremonies unveiled

Podium

©Tokyo 2020
©Tokyo 2020

 

The Tokyo 2020 Olympic and Paralympic podiums were created using donated recycled household plastic waste with Worldwide Olympic and Paralympic Partner Procter & Gamble. Titled the Recycled Plastic Victory Ceremony Podium Project, the podiums were created with the purpose of showing the world the different ways in which a sustainable society can be realised, and engaged the whole population of Japan in the podium production process in an historic Games first. The podiums were designed by TOKOLO Asao, the designer of the Tokyo 2020 emblems, and embody the emblems’ message of “Unity in Diversity”. The podium sides feature a three-dimensional representation of the chequered emblem pattern “ichimatsu moyo”, a design in the traditional Japanese colour of indigo blue that expresses the refined elegance and sophistication that exemplifies Japan.

With the support of Professor TANAKA Hiroya of Keio University in Tokyo, an expert in digital fabrication techniques, the podiums were created using highly advanced 3D printer technology. In addition, aluminium waste recycled from temporary housing provided in the regions affected by the Great East Japan Earthquake was used to create the Olympic and Paralympic symbols embedded in the podiums, in collaboration with Tokyo 2020 Gold Partner, LIXIL Corporation. In approximately nine months, 24.5 tonnes of recycled plastic—the equivalent of around 400,000 bottles of laundry detergent—were collected and utilised in the construction of the 98 podiums that will be used during the Tokyo 2020 Games.

 

Costumes and Medal Trays

©Tokyo 2020
©Tokyo 2020

 

Based on the concept of modern ceremonial dress, the costume designs incorporate traditional kimono production techniques, such as “kasane” (layering), “ori” (weaving), “musubi” (knots), and “so-me” (dyeing), while also featuring the ingenuity of modern clothing design, such as cooling technology to make the wearer more comfortable in the summer heat. To represent the diversity of volunteers who will carry the medals and escort athletes at Victory Ceremonies, the volunteers themselves can choose between trouser- or dress-style versions. Environmentally-friendly recycled fibres have been used to make the costumes.

The Medal Trays have been produced using recyclable thermoplastic polymer and bear a traditional Japanese fan motif. Indigo blue, the base colour of the trays, is the deepest of the Tokyo 2020 core graphic colours, and intends to harmonise perfectly with the podiums and costumes.

Costumes and trays were designed by up-and-coming Japanese fashion director YAMAGUCHI Sota.

Tokyo 2020; Press release: First ‘Look of the Games’ Collaboration Announced (TOCOG)

First ‘Look of the Games’ Collaboration Announced
Images feature Japanese cultural and artistic works

Tokyo, 16 April 2021 -The Tokyo Organising Committee of the Olympic and Paralympic Games (Tokyo 2020) today announced new illustrations that will be integrated into the Look of the Games – the visual identity of the Tokyo 2020 Games. These new illustrations feature contemporary Japanese culture and artistic works that will be displayed before and during the Tokyo 2020 Games.

The illustrations unveiled today are the first in this series of collaborations between Tokyo 2020 and local artists and will be displayed in Narita International Airport terminal 1 and 2 from 26 April until the middle of September, aiming to welcome athletes and Games stakeholders from around the world to Japan with displays of unique and inspiring Japanese artwork. Japanese painter YAMAGUCHI Akira, one of the artists selected to design the Tokyo 2020 Paralympic Games posters, collaborated on the first series of this project.

The fundamental look of each Olympic and Paralympic Games is designed in a way to give a sense of the host country’s identity; these feature in images and posters that are used to decorate the host city (see below for details). These designs feature the Tokyo 2020 care graphics, represented by traditional Japanese colours, as well as a ‘colour layering’ effect represented by the twelve-layered kimono. The fusion of contemporary Japanese artworks not only gives the viewer an insight into Japanese culture and art but also illustrates the unique personality of the Tokyo 2020 Games.

The second collaborative work in this series will be released at a later date.

 

©Tokyo 2020
©Tokyo 2020
©Tokyo 2020
©Tokyo 2020
©Tokyo 2020
©Tokyo 2020
©Tokyo 2020
©Tokyo 2020

Beijing 2022; Pictograms

 

Press release

BEIJING 2022: TRADITION AND INNOVATION COMBINE FOR PICTOGRAM PERFECTION

Beijing capped an exciting year of preparations for the Olympic and Paralympic Winter Games Beijing 2022 on Thursday with the release of the Games’ official sports pictograms, which were inspired by traditional Chinese seal engraving.

With some of the country’s top sports and entertainment celebrities in attendance, the Beijing Organizing Committee for the 2022 Olympic and Paralympic Winter Games (Beijing 2022) unveiled the pictograms at a televised countdown party on New Year’s Eve, a major milestone in preparations with co-host city Zhangjiakou, Hebei province for the winter sports gala.

The set of 24 pictograms for the Olympic Winter Games identifies each of the disciplines across seven sports. However, freestyle skiing and snowboard have six and five icons respectively in order to represent the different equipment and courses used in these disciplines. Six symbols identify each of the sports at the Beijing 2022 Paralympic Winter Games.

Designed based on traditional Chinese seal engraving, each of the pictograms depicts its respective event with unique strokes – like those carved with a knife on Chinese seals dating back to the Qin and Han dynasties. The pictograms embody both the motion of winter sports and China’s rich culture in modern graphics.

The sharp contrast between the red background and white strokes highlights the grace and dynamism of winter sports, and adds a festive vibe to the Games, which will echo the Chinese Lunar New Year in 2022.

“The release of the sports pictograms marks the progress in our preparations for the Olympic and Paralympic Winter Games Beijing 2022 over the past year in a visually strong fashion,” said Gao Tian, deputy director of the Culture and Ceremonies Department of Beijing 2022.

“It’s another example of presenting time-honored Chinese art in a modern way and integrating the quintessence of Chinese culture into sports presentation on the Olympic and Paralympic stage.”

As one of the main graphic elements of the Games, pictograms are widely used in areas such as event signposting, advertising, communications, TV broadcasting and souvenir design. In addition to their traditional context, the sports pictograms must primarily function flawlessly as a simple, internationally understandable representation of the respective sport.

The newly released pictograms were developed in line with the style of the Games’ emblems, with both graphic elements designed by the same group led by Lin Cunzhen, an associate professor at the China Central Academy of Fine Arts. Drawing on inspiration from the Beijing 2008 pictograms, the 2022 version also incorporates the art of calligraphy.

“We designed these pictograms based on two principles – to stay consistent with the Games’ entire visual appearance and to echo the design used at the 2008 Summer Games to highlight Beijing’s unique status as the world’s only city so far to host both Summer and Winter Games,” said Lin, who is also an art director of the Culture and Ceremonies Department of the Beijing 2022.

The craft of engraving is better suited to portray the power and speed of winter sports than the smooth style of calligraphy used in 2008. It took the design team half a year to handle the challenge of depicting every sport distinctively, with hundreds of sketches drawn and countless modifications made, according to Lin.

Brainstorming with sports managers and international consultants from Beijing 2022’s Sports Department also contributed to the design with invaluable insights.

For example, the visual angle of the logo for speed skating was adjusted from the conventional sideline to the head-on angle, as per suggestions from the sports department to differentiate it from short-track speed skating and better capture the movement of athletes, explained Lin.

The design of the sports pictograms has earned a resounding thumbs-up from all the relevant International Federations (IFs), said Tong Lixin, head of Beijing 2022’s Sports Department.

“We followed their suggestions to make some adjustments to certain details, which put the icing on the cake,” Tong said of the feedback from the IFs.

“Eventually, all IFs approved the design with high praise for its innovation and unique Chinese style.”

The Olympic Winter Games Beijing 2022 are scheduled to take place from Feb 4 to 20 in three venue zones – downtown Beijing, its northwest Yanqing district and Zhangjiakou, followed by the Beijing 2022 Paralympic Winter Games from March 4 to 13.

 

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Tokyo 2020; Uniforms for Technical Officials Unveiled

Uniforms for Technical Officials

©The Tokyo Organising Committee of the Olympic and Paralympic Games
©The Tokyo Organising Committee of the Olympic and Paralympic Games
©The Tokyo Organising Committee of the Olympic and Paralympic Games

 

Press release after the break.

Continue reading “Tokyo 2020; Uniforms for Technical Officials Unveiled”

Tokyo 2020; Posters Paralympic Games

Hirohiko Araki, Manga Artist, The Sky above The Great Wave off the Coast of Kanagawa (©Tokyo 2020)
Koji Kakinuma, Calligrapher, Open (©Tokyo 2020)
GOO CHOKI PAR, Graphic Designer, PARALYMPIAN (©Tokyo 2020)
Tomoyuki Shinki, Artist, Offense No.7 (©Tokyo 2020)
Asao Tokolo, Artist, HARMONIZED CHEQUERED EMBLEM STUDY
FOR TOKYO 2020 PARALYMPIC GAMES
[EVEN EDGED MATTERS COULD FORM
HARMONIZED CIRCLE WITH “RULE”] (©Tokyo 2020)
Mika Ninagawa, Photographer, Film Director, Higher than the Rainbow (©Tokyo 2020)
Chihiro Mori, Artist, Beyond the Curve(Five Thousand Rings) (©Tokyo 2020)
Akira Yamaguchi, Painter, Horseback Archery (©Tokyo 2020)
 

Tokyo 2020; Posters Olympic Games

Naoki Urasawa, Manga Artist, Now it’s your turn! (©Tokyo 2020)
Shinro Ohtake, Painter, Space Kicker (©Tokyo 2020)
Daijiro Ohara, Graphic Designer, flow line (©Tokyo 2020)
Shoko Kanazawa, Calligrapher, FLY HIGH ! (©Tokyo 2020)
Tomoko Konoike, Artist, Wild Things-Hachilympic (©Tokyo 2020)
Taku Satoh, Graphic Designer, OLYMPIC CLOUD (©Tokyo 2020)
Asao Tokolo, Artist, HARMONIZED CHEQUERED EMBLEM STUDY
FOR TOKYO 2020 OLYMPIC GAMES
[EVEN EDGED MATTERS COULD FORM
HARMONIZED CIRCLE WITH “RULE”] (©Tokyo 2020)
Takashi Homma, Photographer, TOKYO CHILDREN (©Tokyo 2020)
Theseus Chan, Art Director, EXTREME REVELATIONS (©Tokyo 2020)
Chiris Ofili, Artist, The Games People Play (©Tokyo 2020)
Viviane Sassen, Photographer, Ludus (©Tokyo 2020)
Philippe Weisbecker, Artist, Olympic Stadium (©Tokyo 2020)